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DEMON LOVERS V1.0 Page 4
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“Come in, Alice,” she said, coldly.
And in came Alice, with a fearful glance around. There was no hiding place there; a chair, a table, a little bedstead, and two or three pegs in the wall to hang clothes on; a narrow window, with two iron bars across; no hearth or chimney—nothing but bare walls.
Alice looked round in amazement, and her eyes glanced
with painful inquiry into those of her sister’s. Una smiled one
of her peculiar sidelong smiles, and said—
“Strange dreams! I’ve been dreaming—so has’ Alice. She hears and sees Una’s dreams, and wonders—and well she may.”
And she kissed her sister’s cheek with a cold kiss, and lay down in her little bed, her slender hand under her head, and spoke no more.
Alice, not knowing what to think, went back to hers.
About this time Ultor De Lacy returned. He heard his elder daughter’s strange narrative with marked uneasiness, and his agitation seemed to grow rather than subside. He enjoined her, however, not to mention it to the old servant, nor in presence of anybody she might chance to see, but only to him and to the priest, if he could be persuaded to resume hi9 duty and return. The trial, however, such as it was, could not endure very long; matters had turned out favourably. The union of his younger daughter might be accomplished within a few months, and in eight or nine weeks they should be on their way to Paris.
A night or two after her father’s arrival, Alice, in the dead of the night, heard the well-known strange deep voice speaking softly, as it seemed, close to her own window on the outside; and Una’s voice, clear and tender, spoke in answer. She hurried to her own casement, and pushed it open, kneeling in the deep embrasure, and looking with a stealthy and affrighted gaze towards her sister’s window. As she crossed the floor the voices subsided, and she saw a light withdrawn from within. The moonbeams slanted bright and clear on the whole side of the castle overlooking the glen, and she plainly beheld the shadow of a man projected on the wall as on a screen.
This black shadow recalled with a horrid thrill the outline and fashion of the figure in the Spanish dress. There were the cap and mantle, the rapier, the long thin limbs and sinister angularity. It was so thrown obliquely that the hands reached to the window-sill, and the feet stretched and stretched, longer and longer as she looked, toward the ground, and disappeared in the general darkness; and the rest, with a sudden flicker, shot downwards, as shadows will on the sudden movement of a light, and was lost in one gigantic leap down the castle wall.
“I do not know whether I dream or wake when I hear and see these sights; but I will ask my father to sit up with me, and we two surely cannot be mistaken. May the holy saints keep and guard us!” And in her terror she buried her head under the bed clothes, and whispered her prayers for an hour.
VII
Una’s Love
I Have Been With Father Denis,” said De Lacy, next day, “and he will come tomorrow; and, thank Heaven! you may both make your confession and hear mass, and my mind will be at rest; and you’ll find poor Una happier and more like herself.”
But ’tween cup and lip there’s many a slip. The priest was not destined to hear poor Una’s shrift. When she bid her sister goodnight she looked on her with her large, cold, wild eyes, till something of her human affections seemed to gather there, and they slowly filled with tears, which dropped one after the other on her homely dress as she gazed in her sister’s face.
Alice, delighted, sprang up, and clasped her arms about her neck. “My own darling treasure, ’tis all over; you love your poor Alice again, and will be happier than ever.”
But while she held her in her embrace Una’s eyes were turned towards the window, and her lips apart, and Alice felt instinctively that her thoughts were already far away.
“Hark!—listen!—hush!” and Una, with her delighted gaze fixed, as if she saw far away beyond the castle wall, the trees, the glen, and the night’s dark curtain, held her hand raised near her ear, and waved her head slightly in time, as it seemed, to music that reached not Alice’s ear, and smiled her strange pleased smile, and then the smile slowly faded away, leaving that sly suspicious light behind it which somehow scared her sister with an uncertain sense of danger; and she sang in tones so sweet and low that it seemed but a reverie of a song, retailing as Alice fancied, the strain to which she had just listened in that strange ecstasy, the plaintive and beautiful Irish ballad, “Shule, shule shule, aroon,” the midnight summons of the outlawed Irish soldier to his darling to follow him.
Alice had slept little the night before. She was now overpowered with fatigue; and leaving her candle burning by her bedside, she fell into a deep sleep. From this she awoke suddenly, and completely, as will sometimes happen without any apparent cause, and she saw Una come into the room. She had a little purse of embroidery—her own work—in her hand; and she stole lightly to the bedside, with her peculiar oblique smile, and evidently thinking that her sister was asleep.
Alice was thrilled with a strange terror, and did not speak or move; and her sister slipped her hand softly under her bolster, and withdrew it. Then Una stood for a while by the hearth, and stretched her hand up to the mantelpiece, from which she took a little bit of chalk, and Alice thought she saw her place it in the fingers of a long yellow hand that was stealthily introduced from her own chamber-door to receive it; and Una paused in the dark recess of the door, and smiled over his shoulder toward her sister, and then glided into her room, closing the doors.
Almost freezing with terror, Alice rose and glided after her, and stood in her chamber, screaming—
“Una, Una, in heaven’s name what troubles you?”
But Una seemed to have been sound asleep in her bed, and raised herself with a start, and looking upon her with a peevish surprise, said—
“What does Alice seek here?”
“You were in my room, Una, dear; you seem disturbed and troubled.”
“Dreams, Alice. My dreams crossing your brain; only dreams—dreams. Get you to bed, and sleep.”
And to bed she went, but not to sleep. She lay awake more than an hour; and then Una emerged once more from her room. This time she was fully dressed, and had her cloak and thick shoes on, as their rattle on the floor plainly discovered. She had a little bundle tied up in a handkerchief in her hand, and her hood was drawn about her head; and thus equipped, as it seemed, for a journey, she came and stood at the foot of Alice’s, bed, and stared on her with a look so soulless and terrible that her senses almost forsook her. Then she turned and went back into her own chamber.
She may have returned; but Alice thought not—at least she did not see her. But she lay in great excitement and perturbation; and was terrified, about an hour later, by a knock at her chamber door—not that opening into Una’s room, but upon the little passage from the stone screw staircase. She sprang from her bed; but the door was secured on the inside, and she felt relieved. The knock was repeated, and she heard some one laughing softly on the outside.
The morning came at last; that dreadful night was over. But Una! Where was Una?
Alice never saw her more. On the head of her empty bed were traced in chalk the words—Ultor De Lacy, Ultor O’Donnell. And Alice found beneath her own pillow die little purse of embroidery she had seen in Una’s hand. It was her little parting token, and bore the simple legend—“Una’s love!”
De Lacy’s rage and horror were boundless. He charged the priest, in frantic language, with having exposed his child, by his cowardice and neglect, to the machinations of the Fiend, and raved and blasphemed like a man demented.
It is said that he procured a solemn exorcism to be performed, in the hope of disenthralling and recovering his daughter. Several times, it is alleged, she was seen by the old servants. Once on a sweet summer morning, in the window of the tower, she was perceived combing her beautiful golden tresses, and holding a little mirror in her band; and first, when she saw herself discovered, she looked affrighted, and then smiled, her slanting, cunning smile. Sometimes, too, in the glen, by moonlight, it was said belated villagers had met her, always startled first, and then smiling, generally singing snatches of old Irish ballads, that seemed to bear a sort of dim resemblance to her melancholy fate. The apparition has long ceased. But it is said that now and again, perhaps once in two or three years, late on a summer night, you may hear —but faint and far away in the recesses of the glen—the sweet, sad notes of Una’s voice, singing those plaintive melodies. This, too, of course, in time will cease, and all be forgotten.
VIII
Sister Agnes and the Portrait
When Ultor De Lacy died, his daughter Alice found among his effects a small box, containing a portrait such as I have described. When she looked on it, she recoiled in horror. There, in the plenitude of its sinister peculiarities, was faithfully portrayed the phantom which lived with a vivid and horrible accuracy in her remembrance. Folded in the same box was a brief narrative, stating that “A. D. 1601, in the month of December, Walter De Lacy, of Cappercullen, made many prisoners at the ford of Ownhey, or Abington, of Irish and Spanish soldiers, flying from the great overthrow of the rebel powers at Kinsale, and among the number one Roderic O’Donnell, an arch traitor, and near kinsman to that other O’Donnell who led the rebels; who, claiming kindred through his mother to De Lacy, sued for his life with instant and miserable entreaty, and offered great ransom, but was by De Lacy, through great zeal for the queen, as some thought, cruelly put to death. When he went to the tower-top, where was the gallows, finding himself in extremity, and no hope of mercy, he swore that though he could work them no evil before his death, yet that he would devote himself thereafter to blast the greatness of the De Lacys, and never leave them till his work was done. He hath been seen often since, and always for that family perniciously, insomuch that it hath been the custom to show to young children of that lineage the picture of the said O’Donnell, in little, taken among his few valuables, to prevent their being misled by him unawares, so that he should not have his will, who by devilish wiles and hell-bom cunning, hath steadfastly sought the ruin of that ancient house, and especially to leave that stemma generosum destitute of issue for the transmission of their pure blood and worshipful name.”
Old Miss Croker, of Ross House, who was near seventy in the year 1821, when she related this story to me, had seen and conversed with Alice De Lacy, a professed nun, under the name of Sister Agnes, in a religious house in King Street in Dublin, founded by the famous Duchess of Tyrconnell, and had the narrative from her own lips. I thought the tale worth preserving, and have no more to say.
excerpts from
THE GREAT GOD PAN
Arthur Machen
I
The Experiment
“I Am Glad you came, Clarke; very glad indeed. I was not sure you could spare the time.”
“I was able to make arrangements for a few days; things are not very lively just now. But have you no misgivings, Raymond? Is it absolutely safe?”
The two men were slowly pacing the terrace in front of Dr. Raymond’s house. The sun still hung above the western mountain line, but it shone with a dull red glow that cast no shadows, and all the air was quiet; a sweet breath came from the great wood on the hillside above, and with it, at intervals, the soft murmuring call of the wild doves. Below, in the long lovely valley, the river wound in and out between the lonely hills, and, as the sun hovered and vanished into the west, a faint mist, pure white, began to rise from the banks. Dr. Raymond turned sharply to his friend.
“Safe? Of course it is. In itself the operation is a perfectly simple one; any surgeon could do it.”
“And there is no danger at any other stage?”
“None; absolutely no physical danger whatever, I give you my word. You are always timid, Clarke, always; but you know my history. I have devoted myself to transcendental
medicine for the last twenty years. I have heard myself called quack and charlatan and impostor, but all the while I knew I was on the right path. Five years ago I reached the goal, and since then every day has been a preparation for what we shall do to-night.”
“I should like to believe it is all true.” Clarke knit his brows, and looked doubtfully at Dr. Raymond. “Are you perfectly sure, Raymond, that your theory is not a phantasmagoria—a splendid vision, certainly, but a mere vision after all?”
Dr. Raymond stopped in his walk and turned sharply. He was a middle-aged man, gaunt and thin, of a pale yellow complexion, but as he answered Clarke and faced him, there was a flush on his cheek.
“Look about you, Clarke. You see the mountain, and hill following after hill, as wave on wave, you see the woods and orchards, the fields of ripe corn, and the meadows reaching to the reedbeds by the river. You see me standing here beside you, and hear my voice; but I tell you that all these things— yes, from that star that has just shone out in the sky to the solid ground beneath our feet—I say that all these are but dreams and shadows: the shadows that hide the real world from our eyes. There is a real world, but it is beyond this glamour and this vision, beyond these ‘chases in Arras, dreams in a career,’ beyond them all as beyond a veil. I do not know whether any human being has ever lifted that veil; but I do know, Clarke, that you and I shall see it lifted this very night from before another’s eyes. You may think all this strange nonsense; it may be strange, but it is true, and the ancients knew what lifting the veil means. They called it seeing the god Pan.”
Clarke shivered; the white mist gathering over the river was chilly.
“It is wonderful indeed,” he said. “We are standing on the brink of a strange world, Raymond, if what you say is true. I suppose the knife is absolutely necessary?”
“Yes; a slight lesion in the grey matter, that is all; a trifling rearrangement of certain cells, a microscopical alteration that would escape the attention of ninety-nine brain specialists out of a hundred. I don’t want to bother you with ‘shop,’ Clarke; I might give you a mass of technical detail which would sound very imposing, and would leave you as enlightened as you are now. But I suppose you have read, casually, in out-of-the-way comers of your paper, that immense strides have been made recently in the physiology of the brain. I saw a paragraph,the other day about Digby’s theory, and Browne Faber’s discoveries. Theories and discoveries! Where they are standing now, I stood fifteen years ago, and I need not tell you that I have not been standing still for the last fifteen years. It will be enough if I say that five years ago I made the discovery to which I alluded when I said that then I reached the goal. After years of labour, after years of toiling and groping in the dark, after days and nights of disappointment and sometimes of despair, in which I used now and then to tremble and grow cold with the thought that perhaps there were others seeking for what I sought, at last, after so long, a pang of sudden joy thrilled my soul, and I knew the long journey was at an end. By what seemed then and still seems a chance, the suggestion of a moment’s idle thought followed up upon familiar lines and paths that I had tracked a hundred times already, the great truth burst upon me, and I saw, mapped out in lines of light, a whole world, a sphere unknown; continents and islands, and great oceans in which no ship has sailed (to my belief) since a Man first lifted up his eyes and beheld the sun, and the stars of heaven, and the quiet earth beneath. You will think all this high-flown language, Clarke, but it is hard to be literal. And yet, I do not know whether what I am hinting at cannot be set forth in plain and homely terms. For instance, this world of ours is pretty well girded now with the telegraph wires and cables; thought, with something less than the speed of thought, flashes from sunrise to sunset from north to south, across the floods and the desert places. Suppose that an electrician of today were suddenly to perceive that he and his friends have merely been playing with pebbles and mistaking them for the foundations of the world; suppose that such a man saw uttermost space lie open before the current, and words of men flash forth to the sun and beyond the sun into the systems beyond, and the voices of articulate-speaking men echo in the waste void that bounds our thought. As analogies go, that is a pretty good analogy of what I have done; you can understand now a little of what I felt as I stood here one evening; it was a summer evening, and the valley looked much as it does now; I stood here, and saw before me the unutterable, the unthinkable gulf that yawns profound between two worlds, the world of matter and the world of spirit; I saw the great empty deep stretch dim before me, and in that instant a bridge of light leapt from the earth to the unknown shore, and the abyss was spanned. You may look in Browne Faber’s book, if you like, and you will find that to the present day men of science are unable to account for the presence, or to specify the functions of a certain group of nerve cells in the brain. That group is, as it were, land to let, a mere waste place for fanciful theories. I am not in the position of Browne Faber and the specialists, I am perfectly instructed as to the possible functions of those nerve centers in the scheme of things. With a touch I can bring them into play, with a touch, 1 say, I can set free the current, with a touch I can complete the communication between this world of sense and—we shall be able to finish the sentence later on. Ye9, the knife is necessary; but think what that knife will effect It will level utterly the solid wall of sense, and probably, for the first time since man was made, a spirit will gaze on a spirit world. Clarke, Mary will see the god Pan!”
“But you remember what you wrote to me? I thought it would be requisite that she—”
He whispered the rest into the doctor’s ear.
“Not at all, not at alL That is nonsense, I assure you. In* deed, it is better as it is; I am quite certain of that.”
“Consider the matter well, Raymond. It’s a great responsibility. Something might go wrong; you would be a miserable man for the rest of your days.”